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Dārza Māte Coin Necklace

Dārza Māte is the Latvian Goddess of gardens and green thumbs. She is the overseer of Motherly relationships. Mother to children as to Gardener to plants. She cultivates your own personal growth like a well tended garden. The provider of all you need; the sun, the moon, water, and soil. Every flower bears her name and you will bloom under her watchful eye. 

She is the giver of what is needed and was often referred to as the “one who feeds.” She is the bringer of the seed that produces. A grantor of abundance in all ways possible. 

Her crystals are Quartz and Moss Agate. 

Sofija Janulis – Writer, Baltic Goddess Enthusiast, Contributor

Kerrie Novák – Cultural Anthropologist, Contributor

Aldona Pilmanis – Muse, Friend, Tea Sister, Goddess enthusiast, Contributor of inspiration

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Isis the Goddess Coin Necklace

“I am that which was and is and will ever be, and no mortal has yet lifted the veil which covers me.”

Today’s spotlight is on a goddess with many names and a face that has been seen many places. Most know her as Isis, goddess of Egypt. Her presence is seen in every culture and in each culture she is a goddess of magic. Isis is more than a mother Goddess of magick, she is a representation of the great mystery of the feminine. She represents the darkest and lightest parts of ourselves that we haven’t unleashed yet. We are the Phoenix that has not risen, but lays quietly in the ash awaiting her time. Isis represents our risen potential. She is all of the magick you possess and all of the glory that it brings. 

Her crystals are Rose Quartz, Lapis Lazuli, and Quartz. All three sustainably sourced from Egypt with hands of Integrity. By celebrating her, we are remembering that we have not even scratched the surfaces of the unknown. We has a people have much to learn, because we have so much to learn about the ourselves.

I thank everyone who lent their hand to this project. 

BahArak Shah – Historic Archeologist, Contributor

Zara Hadid – Cultural Anthropologist, Contributor

Aleah Yousefi Andrews – Masters in Middle Eastern Studies with an emphasis on societies and cultures, Contributor

Trista Hassan Cartwright – Third year Egyptologist and speaker

Tamra Zemaitis Goodwin – A Muse, A reminder to me everyday to look deeper into the layers of the self, Contributor of inspiration, and the one and only RaRa

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EPJ Adjustable Rings

Over the years, EPJ has been asked many questions about adjustable rings and I am posting a super long blog on Patreon about the years of adjusted rings. This one is short and sweet. 

First of all, the perks of adjustable rings are vast but there was more method behind the madness than just perks. A long time ago, three friends and I were at a mall store (yes those things were real) and we were looking at beautiful rings inside a case. My friend asked to see one of the rings, and the lady behind the counter got super rude. “All of the rings are only a size 7. If you want it you have to pay to have it sized.” My friend that asked was a US size 13 ring finger. My other two friends were sizes 6 and 9. I was a size 4.5. I thought about how weird it is that everything is “average size” and it took me into a world of overthinking. In my years of being a jeweler, not just for large jewelry stores but for small Mom/Pop shops and then my own, I had witnessed the more “average size” if there was one… being a size 9 or 9.5. Not a size 7. How do they determine “average” anyway? To me, there is no standard or average. Human beings are just human. That is it. The shapes and sizes we take on are more “meant to be” and aren’t wrong and most definitely shouldn’t be rated on scales like “average to not-so-average.” What a strange world we live in. What a strange thought that anyone should be the same as someone else or be compared to them in some way. I am forever in awe of this strange place. 

The adjustable rings took many shapes over the years before they stayed in the tree of life shank style. I like the idea of being able to be human. Ya know, gain some weight, shed some weight, experience swelling from some outdoor work, a late night hanging out with friends, a cold day in December when your rings just want to fall off. Ya know, breath… and being able to wear my rings. Sizing isn’t cheap. Sterling silver adjustable bands wear down and break easily after adjusting only a few times. SO I shied away from sterling early in the EPJ days. Stainless steel is made to last. Being hypoallergenic stainless steel makes the shank another way anyone can wear it at any time in their lives. 

For some time a viral video was on YouTube on how to adjust your EPJ rings. It wasn’t some amazing revelation that made it a popular video. The thing that made it somewhat viral was because myself and my best friend were being hilarious while doing the video. Not professional at all. We were just being so silly. Eventually I took the video down because I really needed to make one that was shorter and more to the point. I tend to get really silly sometimes, but hey, there is that human thing again. 

So here is a step-by-step on how to adjust your ring at home. You can always email to have us do this for you. I am always willing to adjust your rings. It is always free, you just pay to ship. Much cheaper than having them sized. 

You will need: 

  • A wash cloth
  • 2 pairs of needle nose pliers
  • A ring mandrel if you have one but it is not necessary if you don’t.

To make your ring larger: 

If you have a ring mandrel, this is the easiest thing in the world. If not it can take a little more time and skill. First, if you have a ring mandrel, slide the ring down the sizer and push it down. When doing this the ring will open up. You can use the needle nose pliers to shape the ring if needed, just remember to use the washcloth between the ring and the pliers to prevent scratching. If you are more crafty, you can also shape your ring with a Nylon Rubber Jeweler’s Hammer.

If you do not have a mandrel, you will have to open the ring with your needle nose pliers. Start from the side that connects to the top of the ring. Pull out in small paces all the way down the ring to the middle. If your adjustable ring has an arm, you can also pull the arm out and tuck the end as you see fit. 

To make your ring smaller: 

To make your ring smaller, it is just a matter os squeezing the band inwards. You may wish to use the washcloth and the needle nose pliers. Remember to use the washcloth between the ring and the pliers to prevent scratching. 

If you are not wishing to size your ring yourself, just write type your size in the note section of your order. You can also email us at if you place an order and forget your size. Once your ring is sized to your preferred size, you can easily open it or close it down through weight gain, weightloss, swelling, or weather changes. Remember, anytime you need us to help, we are just an email away! 

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The Primordial Veiled One, Nerthus

Today’s Goddess Spotlight is on the Great Primordial Veiled One, Nerthus. The last known recorded source gave us a “female” Goddess who was pulled along the countryside on a wagon drawn by cows. Shrouded in mystery, a veil covered the deity’s face, and this in itself gave many clues to the prior knowledge of Nerthus before much of this knowledge was destroyed. There is much mystery put upon Nerthus surrounding the deity’s gender, like many others, I prefer to call Nerthus Goddexx. As an elder goddexx, of the Earth, keeping the secrets of the world. Some sources say she is the Mother of Freyja and Frey. Some sources suggest that Nerthus begot them by herself. Originally a sexless deity, able to be the seed and carry life by the self. Similar to the plant life of this Earth in relation to the Earth’s soil. Sometimes said to be Njörd, the male god of the sea or his “nameless” wife, prior to this Nerthus was documented as both genders (a hermaphroditic deity) until the Christianization of Scandinavia. Whether the goddexx was hermaphroditic, changed over time by religion, or Nonbinary; it is clear that the primordial energies are older than gender roles. The animal consorts of Nerthus are the red fox and the wood frog. The true crystal of Nerthus is blue lace agate. Now considered in many circles a Nonbinary Goddexx and the keeper of the secrets of the Earth and our true origins. 

Please see the introductory of The Goddess Collection blog for info about the contributors of this project and their credits. This necklace will be available for a limited time. Many Bright Blessings and Happy Week’s End! 

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Guan Yin, Bodhisattva of Mercy

Guan Yin has been a constant presence in my life since the beginning. Friends from my childhood know that my cousin’s family had a large 4-foot statue of Guan Yin in their yard. In addition, my Grandmother had a 2-feet high statue of Guan Yin in her yard alongside other stone deities. In my youth, we made frequent visits to the Nelson-Atkins Museum to visit their massive 8-foot Guan Yin they have owned since the 30s. (Go visit the Nelson when you can if you haven’t yet.) 

When I asked my dear friend and cousin Candice Wang what deity she wanted to see in the Goddess Collection, she said “Guan Yin of the Southern Sea.” I already knew what she was going to say and I smiled before she even spoke. I gave the project over to Candice and Karen to design. See the blog on the website to learn more about the charity Candice and Karen picked to benefit from this collaboration. Her image was a design by the contributors to this project. Both contributors were inspired by the Guan Yin Bodhisattva Statue of the South China Sea in Sanya, Hainan. Their design takes my breath away. Thank you, ladies, it has been an honor. 

Guan Yin is the Bodhisattva of mercy, peace, wisdom, and luck. She is associated with compassion and known as “The Goddess of Mercy.” Bodhisattvas are enlightened beings who have decided to hold off transcending in order to help others attain enlightenment. The name of the Goddess literally means “observing sound” or cries. The one who perceives the sounds of the world. Those who are in need. Her hand is of great mercy and comfort. Guan Yin is described as a Bodhisattva that can take on any form. “She can transform into a male, female, adult, child, elder, human, or non-human, in order to teach the Dharma.” Guan Yin has 33 different manifestations according to the Threefold Lotus Sutra. By the 12th century the Bodhisattva was represented mostly as female, but do not forget the transformation abilities possessed by the One Who Perceives Sound. Guan Yin is considered to be the embodiment of kindness, compassion, and nurturing. The “patroness” of mothers, those in need, and sailors. To me, this is just the beginning verse to the song of Guan Yin. 

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The Morrígan

The Morrígan, known to many as the Phantom Queen, is not only a complex Goddess; she is one of the most misinterpreted and least understood of the Goddesses in my opinion. When speaking with several priestesses of her cult, I noticed a common experience. Most often a devotee or priestess would tell me they thought they knew her, and then they got to know her. All of her past and current followers know and feel this. When a deity gets trendy, many transformations are added and subtracted, until the core is almost unrecognizable. There is that generic Morrigan we all see from time to time and then there is The Morrígan. The Queen Phantom Queen. 

This kind of thing always reminds me of The Wizard of Oz. The black and white wasteland you experience as you await those pops of color and then BOOM! Technicolor! The gods have entered the scene, stage left. 

She is the Goddess of Shapeshifting, and that means more than just what shapeshifting was and is in this day and age. It is the ability to protect yourself like camouflage. When danger rises, she gives the ability to fall into the backdrop, blending in safe. 

She governs precognitive dreaming and the ability to see far ahead. The Ancient Celts’ power of dreaming prophecy all falls behind the eyelids of The Morrígan. She is the giver of precognitive dreaming and finding your animal guide through The Morrígan was an ancient Celt practice. (In-depth subject but the first animal you dreamed about on your road to adulthood was your guide in tribal Celt tradition before the Christianization of Britannia.) 

She shows us the shadow self and this is released through the example of all of the gods. Facing down our darkest thoughts gives us an opportunity to purge cancer within. Think back to a time when you were wronged, the shredded need for vengeance that may have taken hold, we must face those feelings. The Morrígan faces things down and takes control. The casting of raining blood and sorcery at The First Battle of Moytura is an example. She rained down blood long before Slayer, but gods bless those souls for the reminder of what revenge served up as spell casting truly is in the eyes of the elder gods. We must face our deepest descent into darkness.

The Goddess of war, vegetation, death, magic, and more. She is the coming together of all. The…THE. 

People often ask why “The” is at the beginning of her name. This is because it is a part of her name. “The” is important because this is the title of her multiplicity. In true Celt fashion, she is The. The Morrígan is a grouping of Goddesses coming together as one sovereign power. The split of each piece, making a picture when the pieces are finally put together. What do we see? 


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Oh My Goddess

I am asked several questions during the rolling of each week, and I am honored that anyone would ask me anything at all. This post is for a question I am asked rather often. My first reply to the question at hand… Call this what you like. I don’t think I am any authority, nor is anyone that will try to cast discord on your words. Some stand differently and ask because they want to know the proper wording, so here it is. Again, your way of wording is your own. 

I usually answer several questions or commit to writing requests via the website blog & Patreon. Instagram doesn’t have the caption space I need for any proper write-up, so these things are rarely done there anymore. I have written about this on Patreon but wanted to add a shorter version to the blog and social media. The reason is, this question is asked often. Many of you already know the answer, but this is for friends that asked and aren’t sure. 

Again, no person should be scolded for not knowing a proper word to use or anything related to grammar. We learn by asking and no one should be made to feel like they are less if they do not know something. If someone does know the answer, they should not make others feel as they should know something they don’t. Let us all be kind and offer ladders, not walls. We all need a ladder from time to time, no one needs a wall. 

The question I get asked a lot is this… “Is my dedicated God my Patron and my dedicated Goddess my Matron?” As I said before, some of you already know the answer, but I always ask that we as a community of friends be kind to people who are just learning. All humans are on different sections of their path. 

A patron is a person, energy, or support system. The deity you give devotion to is the deity that supports you. So, let’s say you are down with Odin. Then your patron god would be Odin. I often see people write that their goddess is their “matron,” and many people have asked me if this is correct or is she still just their patron. The definition of matron does not fit this description. The correct term is Patroness. For example, one of my Patroness Goddesses is Freyja. Sometimes people get this whole thing confused with Matres or Matronae. That is a whole other topic completely and isn’t linked to your personal Patrons. All that aside, if one chooses to just use Patronx so they do not have to use gender forms, I have seen this done too. I recommend doing what makes you feel the happiest in your place on the path and remember to be kind and respectful to others. 

I hope this helps clear up some confusion that anyone may have. Remember, if you have questions about things & you try looking them up to find the info is contradictory or confusing, you are not alone. The internet has become a cesspool of misinformation. It is ok to ask questions, but remember, when you ask fellow humans, be kind. All people are a new kind of busy in this day and age. If I didn’t reply, I most likely didn’t see it. That doesn’t mean I do not care about your question. Happy Moon Day!

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Witch of Aeaea Ceremonial Necklace

A new Necklace from the Ceremonial Collection is up today. This piece is extremely limited and will not last long. Many may not know about the ceremonial collection, so let me explain this first. 

Ceremonial Pieces post about once a year. This year I will have two arrive on the website. They are pieces inspired by pieces from antiquity. I have also released two replicas from antiquity into this collection that had slight variations but were meant to be replicas. Most of them are found in old graves from the B.C. period. None of the collection is a new design, just a new twist on something very old and meaningful. I have always been so full of amazement when a new temple or grave is found. Links to the past. Artwork in likes the world has never seen. Sure there are many companies that only make replicas of old designs, I love many of them, but I like slightly changing them and making them unique but still tied to the past. I will only make two more years’ worth of these ceremonial pieces and there are always very few that are made. I want them to be sought and not soaked. 

For this new release, a mix of old, new, and this piece crosses many cultures dating back to 600 B.C. The shape of this piece was inspired by a piece found in the Birka grave in Birka Sweden and a necklace from a Danish Bog. Both dating from around 600 B.C. This shape and style of necklace has been found all over Northern Europe, through Russia, Asia, to Turkey, and the Middle East. The connection between this style has never been fully understood but it is known that these cultures not only traded… but were linked in some way besides trade. The necklace style seemed to come up independently from each culture and no one knows what the first source is. The interesting thing that ties them is that these necklaces are related to your life being long and full of your heart’s desire. The center. 

Both versions that inspired me, from Birka Sweden and the Danish Bog piece, had many more charms. One had up to twenty, but these necklaces have been found without charms all the way to dozens of charms. The center vision is always very different on each. Some believe that perhaps it was up to the wearer. I only used two charms that went more with what I was trying to convey with the energy of this design. The charms were chosen for three reasons. 

1. I had in-depth academic, historical, and occult knowledge of the charm. 

2. The aid of three of my friends helped me with the process: Candice Wang, Zara Hadid, and Mia Andersson. All are involved in different depths of cultural anthropology and culture relations. I am so thankful for these ladies in my life. 

3. The charms had to relate and collaborate energetically with the center’s vision. 

The center’s vision is inspired by the Greek Goddess Circe, hanging out by the sea and casting spells with her lions. The crystal tassels are inspired by vintage “pools of light” jewelry. The centers are not glass like the standard tradition, they are genuine untreated Sunstone and genuine untreated Crystal Quartz. The metal frame holding the crystal orbs is not the traditional Chinoiserie style from the Pools Of Light classics, they are highly inspired by the traditional Nordic orb frames seen in Nordic jewelry since the B.C. era. 

They were worked on only during the New Moon cycle with white willow bark, cypress, frankincense, myrrh, storax, cedar, orange peel, and quartz granules. New Moon water was used in their making during the polishing process. Their numerology correspondence is 3,6, and 9. 

A great deal of preparation, study, and anthropologist help was put into these pieces. These beauties took over 18 months to put them all together. They will be the only ones and will not be made again. 

Thank you so much for all of your love and support. Many Bright Blessings. 

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The Goddess Hekate

I do not think it is possible to talk about Hekate without talking about my Grandmother. Hekate and Electryone (Alectrona) were my Grandmother’s Patroness Goddesses. They were her absolute favorite, and she incorporated them into everything she did. All three of her Doberman’s were named after the same Goddess; she was adamant that the family dog honored her deity. Growing up around an always dressed Hekatesion, scooped right into the wall by the doorway, gives one a familiar feeling to the image and energy. Many see Hekate as a Moon Goddess of the darkness, but her torches paint a different story. She is the one of the dark that shines light. Giving way to self-discovery and the Queen of personal shadow-work, one could say she governs both light and dark. She is the keeper of all that is hidden, the key holder to locked doors, and the light bearer of every path. As the Goddess of the Crossroads, she will meet you at every crossing. Her black dogs stand guard as ghosts gather under the oldest trees to consort with her. Hekate represents feminine strength and protection. She is the Darkwater that assists your shedding of old skin. She is the death of all the things that do not aid in your becoming. 

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The Great Orisha Oya

It was such an honor to get to collaborate on this project with Akanni, LaToya, and one of my dearest friends Trina on this project. Oya is one of the most powerful Orishas; of thunder, lightning and storms. She oversees female leadership, transformation and is the “Queen of the Marketplace.” A patroness of female business owners. She is the Queen of the River Niger and can help you unearth family secrets that were lost with those who have passed on. Oya has always brought a sense of power and strength when I have thought of her in my own mind. The fact that she combines power and ancestry together is so beautiful and empowering. For this project, I sat back and let these three ladies advise, design and conjure. So much was put into this objective and I credit the contributors as being the superstars of this project. It was also very important to me that a Yoruba Priestess, Akanni, have all the final say before completion. I am beyond taken aback at how beautiful this pendant turned out and have shed tears over the undertaking of it all. The net proceeds will go to an organization called Solar Sister, a beautiful establishment in Africa that helps train women entrepreneurs with clean energy businesses. They literally put the power in the hands of women. It is such a beautiful metaphor, Oya reflected. Please consider donating directly if you can. 

Oya’s image is drawn after the likeness of one of my dearest friends Trina Thompson. We go way back to working for corporate jewelry stores together. I wanted to remind her, no matter her struggles, to see herself in the divine. Rise like the storm my dear friend and flash your light for all of the worlds to see.